Ibert Piece-Solo Flute-Leduc. Piece for Solo Flute was premiered by Marcel Moyse. Comprised of three movements with two contrasting themes. Sheet Music – £ – Jacques Ibert’s Piece pour Flute Seule (Piece for Solo Flute ). Published by Alphonse Leduc. Ibert Piece for Solo Flute. January 3, | Author: Allison Q. Kessinger | Category: N/A Short Description. Ibert.
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The monotone rhythm of the line could represent a monotone voice speaking musical knowledge without the use of words.
Rachel Taylor Geier
The faster, technically demanding A sections are enhanced by a slower, more lyrical B section. Repetitive Recitative The Introductions of both works are strikingly similar — meandering lines creating fantasy-like imagery using ibbert effects and rapid lines leading to false climaxes.
In the Ibert, such a figure appears at the very beginning of the piece: Perhaps Ibert was trying to set the groundwork for the Image. It is difficult to say which piece influenced the other due to discrepancies among scholars ibet publication dates yet both pieces were written for Marcel Moyse.
Each section is linked together with virtuosic cadenzas exploring pieec range of the instrument and incorporating extended techniques such as flutter tonging. Email required Address never made public. Image features a similar cadenza linking the A section to the B section at the top of the 2 nd page, beginning with a fermata placed above a low B sharp.
Ibert Piece for Solo Flute
The most significant similarity, however, is the repetitive notes that create a sense of recitative without words. What is similar, however, is that each section is connected by rhythmically intricate cadenzas.
What is the significance of the duple vs. Piecw are several works throughout the history of Western Music that could be considered imitations of one another.
Welcome to Flute Friday Monday! Is this intended to be the voice of Moyse? This slo all but a prelude to the most technically demanding element pece the piece, a long progression of rapidly moving minor thirds extending chromatically for 2 octaves. This is followed by 1 beat of triples and one beat of 4 sixteenth notes: Octave displacements complete the cadenza and introduce the return of the A section at the Piu lento.
You are commenting using your WordPress. In the Ibert, we see grouping of sextuplets followed by septuplets followed by eight 32 nd notes and a grouping of nine 32 nd notes. The similarities between these swirling figures in both pieces are quite eerie.
This pattern replays throughout the B section namely in and around the impending Animanto: Fill in your details below or click an icon to log in: What is clear, however, is that there are striking similarities between both of these pieces, structurally as well as and harmonically. Is there a joke buried in these lines that only Moyse would understand?
Perhaps this was an exercise used at the Paris Conservatoire.
This site uses Akismet flure reduce spam. In both instances, there are 3 repetitions of this swirling figure, all gaining in intensity with each repetition to lead into the most virtuosic moment of each piece.
Learn how your comment data is processed. Image is written in ternary ABA form with a slower, fantasy-like introduction.
This is followed by 1 beat of triples and one beat of 4 sixteenth notes:. Leave a Reply Cancel rlute Enter your comment here You are commenting using your Facebook account. Both Ibert and Bozza leave the true musical fireworks in the cadenza sections connecting the B section to the repetition of the A section.
The same duple vs. The use of the virtuosic cadenza sections in both works displays dlute clear similarity in function to connect the A section to the B and the B section to the return of the A section.
Finding Moyse – Ibert vs. Bozza | Rachel Taylor Geier
Where they somehow commenting on the Moyse style? This of course is all just speculation. Or maybe a commentary on the nature of a brooding performer who perhaps lets his thoughts bubble not once, not twice, but three times before he takes action sounds gor a Taurus…. After brushing off the years of dust from this piece and woodshedding some of the technical passages, I began to hear a clear influence of other works written around this time period.
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