KENT KENNAN SONATA PDF

Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. for Trumpet and Piano. Kent Kennan – Alfred Publishing Co., Inc. : Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books.

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Kent Kennan – Wikipedia

Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden This site uses cookies.

This motive will be repeated in many different ways throughout the course of the entire piece Dearden The main theme of this movement is written three times in a row, the first centered around E-flat Dearden The piano plays an ostinato under the light, lively trumpet melody Dearden The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden The snoata into the cods is mostly based on the transition theme from earlier in the movement Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden Most of it is an exact restatement of the exposition, but transposed up a half step Dearden This melody has some occurrences of the main motive that begins the first movement: It is also the only theme that stays centered around a tonic in the entire movement Dearden Leave a Reply Cancel kfnnan Enter your comment here By continuing to use this website, you agree to their use.

It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The piece ends with a trumpet fanfare in E-flat Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden His Night Soliloquy was written in and is set for solo flute, piano and strings.

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Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara He was the half brother sonatx the diplomat and historian George F.

Notify me of new comments via email. The last time that the first theme returns, it is in an inverted form and played in the piano while the trumpet is playing something totally different Dearden By using this site, you agree to the Terms of Use and Privacy Policy. This is followed by a restatement of the main theme in a new key and at a slow tempo, making it jennan at first, then transitioned to the original tempo and style Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden All mennan theme motives and variants of these motives are repeated throughout the course of this movement Dearden This piece is sonaat in many ways.

Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara This movement also has a short closing theme Dearden Email required Address never made public. From Wikipedia, the free encyclopedia.

He learned to play the organ and the piano and received degrees in composition and music theory from the University of Michigan and the Eastman School of Music.

The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden The rest of this movement is based largely around this main theme Dearden The development is the shortest section in the movement Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden To find out more, including how to control cookies, see here: All of the themes from the exposition are written in the recapitulation Dearden The third theme is a chorale in G that begins in minor and ends in major Dearden The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden You can help Wikipedia by expanding it.

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The first theme is played by the trumpet and is muted Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden Retrieved 8 June The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden When the second theme is restated, it is down a half step as well and shortened a little bit Dearden Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden You can follow any responses to this entry through the RSS 2.

This entry was posted on Thursday, April 30th, at 3: The secondary theme is lyrical, with no fanfares, and in minor Dearden The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment sonat different Dearden